جب قطع کی مسافتِ شب آفتاب نے
سر بزمِ چرخ جلوہ کھینچا ماہتاب نے
Jab qata ki musafat-e-shab aaftaab ne
Sar bazm-e-charkh jalwa khencha maahtaab ne
Complete NAZM with English Translation, Roman Urdu & Tashreeh
میر ببر علی انیس کا یہ مرثیہ اردو زبان و ادب میں منظر نگاری اور فصاحت کا سب سے بڑا شاہکار تسلیم کیا جاتا ہے۔ واقعہ کربلا کی صبح کا یہ نقشہ میر انیس نے جس قدر خوبصورت، متوازن اور رقت انگیز انداز میں کھینچا ہے، وہ دنیا کے کسی بھی کلاسیکی مرثیے میں بے مثل ہے۔ سورج کا طلوع ہونا، پرندوں کی تسبیح اور امام عالی مقام کا خیمے سے برآمد ہونا قاری کو تاریخی منظر کے روبرو کر دیتا ہے۔
Jab Qata Ki Musafat-e-Shab Aftab Ne is universally regarded as the pinnacle of descriptive scenery and dramatic narration in classical Urdu literature. Composed by Mir Babar Ali Anees, this immortal Musaddas paints the dawn of Ashura in Karbala—contrasting the peaceful awakening of nature with the sublime spiritual poise of Imam Hussain (A.S.) stepping from his tent toward destiny.
جب قطع کی مسافتِ شب آفتاب نے
سر بزمِ چرخ جلوہ کھینچا ماہتاب نے
Jab qata ki musafat-e-shab aaftaab ne
Sar bazm-e-charkh jalwa khencha maahtaab ne
چھٹکا جو نور صبح کی ٹھنڈی ہوا چلی
چمکی ضیا جہاں میں عجب فضا چلی
Chhatka jo noor subh ki thandi hawa chali
Chamki ziya jahan mein ajab faza chali
صحرا تھا لالہ زار شفق کی بہار سے
تسبیح تھی طیور کی پروردگار سے
Sehra tha lala-zaar shafaq ki bahaar se
Tasbeeh thi tuyoor ki parwardigaar se
خیمے سے نکلے سبطِ پیمبرؐ باوقار
چمکا جمالِ شاہِ شہیدانِ باوقار
Khaime se nikle sibt-e-payambar bawuqaar
Chamka jamaal-e-shah-e-shaheedan-e-bawuqaar
Jab qata ki musafat-e-shab aaftaab ne Sar bazm-e-charkh jalwa khencha maahtaab ne Chhatka jo noor subh ki thandi hawa chali Chamki ziya jahan mein ajab faza chali Sehra tha lala-zaar shafaq ki bahaar se Tasbeeh thi tuyoor ki parwardigaar se Khaime se nikle sibt-e-payambar bawuqaar Chamka jamaal-e-shah-e-shaheedan-e-bawuqaar
When the rising sun completed its nocturnal journey across the cosmos, And from the sky's high banquet the pale moon withdrew its silvery veil; As radiant dawn poured forth, the tranquil morning breeze began to stir; Celestial light illumined the earth, and an ethereal freshness filled the air; The barren desert blushed like a garden of tulips beneath the crimson aurora; While flocks of soaring birds sang solemn hymns of praise unto the Almighty Creator; From the sacred tent stepped forth the venerable Grandson of the Holy Prophet (PBUH); Illumining the horizon with the majestic grace of the Prince of Martyrs!
In this opening movement of his epic elegy, Mir Anees demonstrates unequaled descriptive virtuosity. He sets the stage on the fateful 10th of Muharram with cosmic grandeur: the celestial retreat of the moon, the arrival of morning light, and the desert blooming red under the horizon like a field of tulips. The climax occurs as Imam Hussain (A.S.) emerges from his pavilion, radiating dignity and divine serenity.
"Jab Qata Ki Musafat-e-Shab Aftab Ne (Subh-e-Karbala)" (جب قطع کی مسافتِ شب آفتاب نے) was composed by Mir Babar Ali Anees (میر انیس). It is a classical nazm celebrated in Urdu literature for its artistic excellence and emotional depth.
In this opening movement of his epic elegy, Mir Anees demonstrates unequaled descriptive virtuosity. He sets the stage on the fateful 10th of Muharram with cosmic grandeur: the celestial retreat of the moon, the arrival of morning light, and the desert blooming red under the horizon like a field of tulips. The climax occurs as Imam Hussain (A.S.) emerges from his pavilion, radiating dignity and divine serenity.
Yes, Poetry in Urdu provides complete dual-script access: authentic Nastaliq Urdu calligraphy, line-by-line Roman Urdu transliteration for diaspora readers, English translation, and a difficult vocabulary glossary (Lafz-Nama).
Mir Babar Ali Anees (1803–1874) was a monumental 19th-century Urdu poet. Revered alongside Mir Taqi Mir as 'Khuda-e-Sukhan' (God of Poetics), he brought the Urdu Marsiya and Musaddas to unrivaled linguistic perfection.
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