نمکِ خوانِ تکلم ہے میری
سحر اندازِ جہاں ہے یہ ملاحت میری
Namak-e-khwan-e-takallum hai fasahat meri
Sehr-andaaz-e-jahan hai yeh malahat meri
Complete NAZM with English Translation, Roman Urdu & Tashreeh
یہ مسدس میر انیس کے فصیح ترین اور معرکہ آرا کلام کا آغاز ہے۔ اس میں میر انیس نے اپنی زبان دانی، فصاحت اور مرثیہ نگاری کے مرتبے کو جس اعتماد اور ادبی نزاکت کے ساتھ بیان کیا ہے وہ اردو فصاحت و بلاغت کا نقطۂ عروج مانا جاتا ہے۔
This monumental opening musaddas stanza by Mir Babar Ali Anees is celebrated across South Asian literary history as the supreme zenith of classical Urdu eloquence and rhetoric.
نمکِ خوانِ تکلم ہے میری
سحر اندازِ جہاں ہے یہ ملاحت میری
Namak-e-khwan-e-takallum hai fasahat meri
Sehr-andaaz-e-jahan hai yeh malahat meri
رنگ لائی ہے گلِ نغمہ سے راحت میری
چشمِ انجم پہ ضیا پاش ہے طلعت میری
Rang laayi hai gul-e-naghma se rahat meri
Chashm-e-anjum pe ziya-paash hai tala'at meri
گلشنِ فکر میں جب فکرِ رسا چلتی ہے
شاخِ طوبیٰ پہ نسیمِ سحری چلتی ہے
Gulshan-e-fikr mein jab fikr-e-rasa chalti hai
Shaakh-e-tooba pe naseem-e-sahari chalti hai
Namak-e-khwan-e-takallum hai fasahat meri Sehr-andaaz-e-jahan hai yeh malahat meri Rang laayi hai gul-e-naghma se rahat meri Chashm-e-anjum pe ziya-paash hai tala'at meri Gulshan-e-fikr mein jab fikr-e-rasa chalti hai Shaakh-e-tooba pe naseem-e-sahari chalti hai
My poetic eloquence is the essential salt that enriches the grand feast of human speech; The captivating grace of my diction holds the entire world spellbound! My restful contemplation blossoms with the radiant rose of musical melody; My luminous presence casts a brilliant light even upon the eyes of the night stars! Whenever my soaring, perceptive intellect wanders through the garden of thought, It glides like a gentle morning breeze through the branches of Paradise!
Mir Anees declares his command over the Urdu language, using elaborate Persianate metaphors of feasting, celestial stars, and paradisiacal gardens. In this revered nazm, Mir Anees weaves intricate emotional realism with classical lyrical cadence. The opening couplets establish the philosophical and melancholic premise, while the concluding verses synthesize personal longing with universal existential truths. Through resonant imagery, masterful diction, and traditional thematic motifs, this work stands as an authoritative benchmark in classical and modern Urdu literature.
"Namak-e-Khwan-e-Takallum Hai Fasahat Meri" (نمکِ خوانِ تکلم ہے فصاحت میری) was composed by Mir Babar Ali Anees (میر انیس). It is a classical nazm celebrated in Urdu literature for its artistic excellence and emotional depth.
Mir Anees declares his command over the Urdu language, using elaborate Persianate metaphors of feasting, celestial stars, and paradisiacal gardens. In this revered nazm, Mir Anees weaves intricate emotional realism with classical lyrical cadence. The opening couplets establish the philosophical and melancholic premise, while the concluding verses synthesize personal longing with universal existential truths. Through resonant imagery, masterful diction, and traditional thematic motifs, this work
Yes, Poetry in Urdu provides complete dual-script access: authentic Nastaliq Urdu calligraphy, line-by-line Roman Urdu transliteration for diaspora readers, English translation, and a difficult vocabulary glossary (Lafz-Nama).
Mir Babar Ali Anees (1803–1874) was a monumental 19th-century Urdu poet. Revered alongside Mir Taqi Mir as 'Khuda-e-Sukhan' (God of Poetics), he brought the Urdu Marsiya and Musaddas to unrivaled linguistic perfection.
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